|
1928-1929
|
Les Ailes (Wings) de William Wellman
|
|
1929-1930
|
Broadway Melody de Harry Beaumont
|
|
1930-1931
|
À l’Ouest rien de nouveau (All Quiet on the Western Front)
de Lewis Milestone
|
|
1931-1932
|
Cimarron de Wesley Ruggles
|
|
1932-1933
|
Grand Hôtel d'Edmund Goulding
|
|
1933-1934
|
Cavalcade de Frank Lloyd
|
|
1935
|
New York-Miami (It Happened One Night) de Frank Capra
|
|
1936
|
Les Révoltés du Bounty (Mutiny on the Bounty) de Frank Lloyd
|
|
1937
|
Le Grand Ziegfeld (The Great Ziegfeld) de Robert Z. Leonard
|
|
1938
|
La Vie d’Émile Zola (The Life of Émile Zola) de William Dieterle
|
|
1939
|
Vous ne l’emporterez pas avec vous (You Can’t Take It With You)
de Frank Capra
|
|
1940
|
Autant en emporte le vent (Gone With the Wind) de Victor Fleming
|
|
1941
|
Rebecca d’Alfred Hitchcock
|
|
1942
|
Qu’elle était verte ma vallée (How Green Was My Valley) de John Ford
|
|
1943
|
Madame Miniver (Mrs. Miniver) de William Wyler
|
|
1944
|
Casablanca de Michael Curtiz
|
|
1945
|
La Route semée d’étoiles (Going My Way) de Leo Mc Carey
|
|
1946
|
Le Poison (The Lost Weekend) de Billy Wilder
|
|
1947
|
Les Plus Belles Années de notre vie (The Best Years of Our Lives)
de William Wyler
|
|
1948
|
Le Mur invisible (Gentleman’s Agreement) d’Elia Kazan
|
|
1949
|
Hamlet de Laurence Olivier
|
|
1950
|
Les Fous du roi (All the King's Men) de Robert Rossen
|
|
1951
|
Ève (All About Eve) de J. L. Mankiewicz
|
|
1952
|
Un Américain à Paris (An American in Paris) de Vincente Minnelli
|
|
1953
|
Sous le plus grand chapiteau du monde (The Greatest Show on Earth)
de C. B. De Mille
|
|
1954
|
Tant qu’il y aura des hommes (From Here to Eternity)
de Fred Zinnemann
|
|
1955
|
Sur les quais (On the Waterfront) d’Elia Kazan
|
|
1956
|
Marty de Delbert Mann
|
|
1957
|
Le Tour du monde en 80 jours (Around the World in 80 Days)
de Michael Anderson
|
|
1958
|
Le Pont de la rivière Kwaï (The Bridge on the River Kwai) de David Lean
|
|
1959
|
Gigide Vincente Minnelli
|
|
1960
|
Ben-Hur de William Wyler
|
|
1961
|
La Garçonnière (The Apartment) de Billy Wilder
|
|
1962
|
West Side Story de Robert Wise et Jerome Robbins
|
|
1963
|
Lawrence d’Arabie (Lawrence of Arabia) de David Lean
|
|
1964
|
Tom Jones de Tony Richardson
|
|
1965
|
My Fair Lady de George Cukor
|
|
1966
|
La Mélodie du bonheur (The Sound of Music) de Robert Wise
|
|
1967
|
Un homme pour l’éternité (A Man for All Seasons) de Fred Zinnemann
|
|
1968
|
Dans la chaleur de la nuit (In the Heat of the Night) de Norman Jewison
|
|
1969
|
Oliver ! de Carol Reed
|
|
1970
|
Macadam cowboy (Midnight Cowboy) de John Schlesinger
|
|
1971
|
Patton de Franklin Schaffner
|
|
1972
|
The French Connection de William Friedkin
|
|
1973
|
Le Parrain (The Godfather) de Francis Ford Coppola
|
|
1974
|
L’Arnaque (The Sting) de George Roy Hill
|
|
1975
|
Le Parrain II (The Godfather, Part II) de Francis Ford Coppola
|
|
1976
|
Vol au-dessus d’un nid de coucou (One Flew Over the Cuckoo’s Nest)
de Milos Forman
|
|
1977
|
Rocky de John G. Avildsen
|
|
1978
|
Annie Hall de Woody Allen
|
|
1979
|
Voyage au bout de l’enfer (The Deer Hunter) de Michael Cimino
|
|
1980
|
Kramer contre Kramer (Kramer vs. Kramer) de Robert Benton
|
|
1981
|
Des gens comme les autres (Ordinary People) de Robert Redford
|
|
1982
|
Les Chariots de feu (Chariots of Fire) de Hugh Hudson
|
|
1983
|
Gandhi de Richard Attenborough
|
|
1984
|
Tendres Passions (Terms of Endearment) de James L. Brooks
|
|
1985
|
Amadeus de Milos Forman
|
|
1986
|
Out of Africa de Sydney Pollack
|
|
1987
|
Platoon d’Oliver Stone
|
|
1988
|
Le Dernier Empereur (The Last Emperor) de Bernardo Bertolucci
|
|
1989
|
Rain Man de Barry Levinson
|
|
1990
|
Miss Daisy et son chauffeur (Driving Miss Daisy) de Bruce Beresford
|
|
1991
|
Danse avec les loups (Dances With Wolves) de Kevin Costner
|
|
1992
|
Le Silence des agneaux (The Silence of the Lambs)
de Jonathan Demme
|
|
1993
|
Impitoyable (Unforgiven) de Clint Eastwood
|
|
1994
|
La Liste de Schindler (Schindler’s List) de Steven Spielberg
|
|
1995
|
Forrest Gump de Robert Zemeckis
|
|
1996
|
Braveheart de Mel Gibson
|
|
1997
|
Le Patient anglais (The English Patient) de Saul Zaentz
|
|
1998
|
Titanic de James Cameron
|
|
1999
|
Shakespeare in Love de John Madden
|
|
2000
|
American Beauty de Sam Mendes
|
|
2001
|
Gladiator de Ridley Scott
|
|
2002
|
Un homme d’exception (A Beautiful Mind) de Ron Howard
|
|
2003
|
Chicago de Rob Marshall
|
|
2004
|
Le Seigneur des anneaux : le Retour du roi (The Lord of the Rings: The Return of the King) de Peter Jackson
|
|
2005
|
Million Dollar Baby de Clint Eastwood
|
|
2006
|
Collision (Crash) de Paul Haggis
|
|
2007
|
Les Infiltrés (The Departed) de Martin Scorsese
|
|
2008
|
Non, ce pays n'est pas pour le vieil homme (No Country For Old Men) de Joel et Ethan Coen
|
 |
|
1928-1929
|
Frank Borzage, l’Heure suprême (Seventh Heaven)
Lewis Milestone, Arabian Knights |
|
1929-1930
|
Frank Lloyd, Lady Hamilton (The Divine Lady) |
|
1930-1931
|
Lewis Milestone,
À l’Ouest rien de nouveau (All Quiet on the Western Front) |
|
1931-1932
|
Norman Taurog, Skippy |
|
1932-1933
|
Frank Borzage, Bad Girl |
|
1933-1934
|
Frank Lloyd, Cavalcade |
|
1935
|
Frank Capra, New York-Miami (It Happened One Night) |
|
1936
|
John Ford, le Mouchard (The Informer) |
|
1937
|
Frank Capra, l’Extravagant M. Deeds (Mr. Deeds Goes to Town) |
|
1938
|
Leo McCarey, Cette sacrée vérité (The Awful Truth) |
|
1939
|
Frank Capra,
Vous ne l’emporterez pas avec vous (You Can’t Take it With You) |
|
1940
|
Victor Fleming, Autant en emporte le vent (Gone With the Wind) |
|
1941
|
John Ford, les Raisins de la colère (The Grapes of Wrath) |
|
1942
|
John Ford, Qu’elle était verte ma vallée (How Green Was My Valley) |
|
1943
|
William Wyler, Madame Miniver (Mrs. Miniver) |
|
1944
|
Michael Curtiz, Casablanca |
|
1945
|
Leo McCarey, la Route semée d’étoiles (Going My Way) |
|
1946
|
Billy Wilder, le Poison (The Lost Weekend) |
|
1947
|
William Wyler,
les Plus Belles Années de notre vie (The Best Years of Our Lives) |
|
1948
|
Elia Kazan, le Mur invisible (Gentleman’s Agreement) |
|
1949
|
John Huston,
le Trésor de la Sierra Madre (The Treasure of the Sierra Madre) |
|
1950
|
Joseph L. Mankiewicz, Chaînes conjugales (A Letter to Three Wives) |
|
1951
|
Joseph L. Mankiewicz, Ève (All About Eve) |
|
1952
|
George Stevens, Une place au soleil (A Place in the Sun) |
|
1953
|
John Ford, l’Homme tranquille (The Quiet Man) |
|
1954
|
Fred Zinnemann, Tant qu’il y aura des hommes (From Here to Eternity) |
|
1955
|
Elia Kazan, Sur les quais (On the Waterfront) |
|
1956
|
Delbert Mann, Marty |
|
1957
|
George Stevens, Géant (Giant) |
|
1958
|
David Lean, le Pont de la rivière Kwaï (The Bridge on the River Kwai) |
|
1959
|
Vincente Minnelli, Gigi |
|
1960
|
William Wyler, Ben-Hur |
|
1961
|
Billy Wilder, la Garçonnière (The Apartment) |
|
1962
|
Robert Wise et Jerome Robbins, West Side Story |
|
1963
|
David Lean, Lawrence d’Arabie (Lawrence of Arabia) |
|
1964
|
Tony Richardson, Tom Jones |
|
1965
|
George Cukor, My Fair Lady |
|
1966
|
Robert Wise, la Mélodie du bonheur (The Sound of Music) |
|
1967
|
Fred Zinnemann, Un homme pour l’éternité (A Man for All Seasons) |
|
1968
|
Mike Nichols, le Lauréat (The Graduate) |
|
1969
|
Carol Reed, Oliver ! |
|
1970
|
John Schlesinger, Midnight Cowboy |
|
1971
|
Franklin J. Schaffner, Patton |
|
1972
|
Willie Friedkin, French Connection |
|
1973
|
Bob Fosse, Cabaret |
|
1974
|
George Roy Hill, l’Arnaque (The Sting) |
|
1975
|
Francis Ford Coppola, le Parrain II (The Godfather, Part II) |
|
1976
|
Milos Forman,
Vol au-dessus d’un nid de coucou (One Flew Over the Cuckoo’s Nest) |
|
1977
|
John G. Avildsen, Rocky |
|
1978
|
Woody Allen, Annie Hall |
|
1979
|
Michael Cimino, Voyage au bout de l’enfer (The Deer Hunter) |
|
1980
|
Robert Benton, Kramer contre Kramer (Kramer vs. Kramer) |
|
1981
|
Robert Redford, Des gens comme les autres (Ordinary People) |
|
1982
|
Warren Beatty, les Rouges (Reds) |
|
1983
|
Richard Attenborough, Gandhi |
|
1984
|
James L. Brooks, Tendres Passions (Terms of Endearment) |
|
1985
|
Milos Forman, Amadeus |
|
1986
|
Sydney Pollack, Out of Africa |
|
1987
|
Oliver Stone, Platoon |
|
1988
|
Bernardo Bertolucci, le Dernier Empereur (The Last Emperor) |
|
1989
|
Barry Levinson, Rain Man |
|
1990
|
B. Beresford, Miss Daisy et son chauffeur (Driving Miss Daisy) |
|
1991
|
Kevin Costner, Danse avec les loups (Dances with Wolves) |
|
1992
|
Jonathan Demme,
le Silence des agneaux (The Silence of the Lambs) |
|
1993
|
Clint Eastwood, Impitoyable (Unforgiven) |
|
1994
|
Steven Spielberg, la Liste de Schindler (Schindler’s List) |
|
1995
|
Robert Zemeckis, Forrest Gump |
|
1996
|
Mel Gibson, Braveheart |
|
1997
|
Anthony Minghella, le Patient anglais (The English Patient) |
|
1998
|
James Cameron, Titanic |
|
1999
|
Steven Spielberg, Il faut sauver le soldat Ryan (Saving Private Ryan) |
|
2000
|
Sam Mendes, American Beauty |
|
2001
|
Steven Soderbergh, Traffic |
|
2002
|
Ron Howard, Un homme d’exception (A Beautiful Mind) |
|
2003
|
Roman Polanski, le Pianiste (The Pianist) |
|
2004
|
Peter Jackson, le Seigneur des anneaux : le Retour du roi (The Lord of the Rings: The Return of the King) |
|
2005
|
Clint Eastwood, Million Dollar Baby |
|
2006
|
Ang Lee, le Secret de Brokeback Mountain (Brokeback Mountain) |
|
2007
|
Martin Scorsese, les Infiltrés (The Departed) |
|
2008
|
Joel et Ethan Coen, Non, ce pays n'est pas pour le vieil homme (No Country For Old Men) |
|
|
1928-1929
|
Janet Gaynor,
l’Heure suprême (Seventh Heaven);
l’Ange de la rue (Street Angel);
l’Aurore (Sunrise) |
|
1929-1930
|
Mary Pickford, Coquette |
|
1930-1931
|
Norma Shearer, la Divorcée (The Divorcee) |
|
1931-1932
|
Marie Dressler, Min and Bill |
|
1932-1933
|
Helen Hayes,
la Faute de Madelon Claudet (The Sin of Madelon Claudet) |
|
1933-1934
|
Katharine Hepburn, Morning Glory |
|
1935
|
Claudette Colbert, New York-Miami (It Happened One Night) |
|
1936
|
Bette Davis, l’Intruse (Dangerous) |
|
1937
|
Luise Rainer, le Grand Ziegfeld (The Great Ziegfeld) |
|
1938
|
Luise Rainer, Visages d’Orient (The Good Earth) |
|
1939
|
Bette Davis, l’Insoumise (Jezebel) |
|
1940
|
Vivien Leigh, Autant en emporte le vent (Gone With the Wind) |
|
1941
|
Ginger Rogers, Kitty Foyle |
|
1942
|
Joan Fontaine, Soupçons (Suspicion) |
|
1943
|
Greer Garson, Madame Miniver (Mrs. Miniver) |
|
1944
|
Jennifer Jones, le Chant de Bernadette (The Song of Bernadette) |
|
1945
|
Ingrid Bergman, Hantise (Gaslight) |
|
1946
|
Joan Crawford, le Roman de Mildred Pierce (Mildred Pierce) |
|
1947
|
Olivia De Havilland, À chacun son destin (To Each His Own) |
|
1948
|
Loretta Young,
Ma femme est un grand homme (The Farmer’s Daughter) |
|
1949
|
Jane Wyman, Johnny Belinda |
|
1950
|
Olivia De Havilland, l’Héritière (The Heiress) |
|
1951
|
Judy Holliday, Comment l’esprit vient aux femmes (Born Yesterday) |
|
1952
|
Vivien Leigh, Un tramway nommé Désir (A Streetcar Named Desire) |
|
1953
|
Shirley Booth, Reviens petite Sheba (Come Back, Little Sheba) |
|
1954
|
Audrey Hepburn, Vacances romaines (Roman Holiday) |
|
1955
|
Grace Kelly, Une fille de la province (The Country Girl) |
|
1956
|
Anna Magnani, la Rose tatouée (The Rose Tattoo) |
|
1957
|
Ingrid Bergman, Anastasia |
|
1958
|
Joanne Woodward, les Trois Visages d’Ève (The Three Faces of Eve) |
|
1959
|
Susan Hayward, Je veux vivre (I Want to Live !) |
|
1960
|
Simone Signoret, les Chemins de la haute ville (Room at the Top) |
|
1961
|
Elizabeth Taylor, la Vénus au vison (Butterfield 8) |
|
1962
|
Sophia Loren, la Ciociara (Two Women) |
|
1963
|
Anne Bancroft, Miracle en Alabama (The Miracle Worker) |
|
1964
|
Patricia Neal, le Plus Sauvage d’entre tous (Hud) |
|
1965
|
Julie Andrews, Mary Poppins |
|
1966
|
Julie Christie, Darling |
|
1967
|
Elizabeth Taylor,
Qui a peur de Virginia Woolf ? (Who's Afraid of Virginia Woolf ?) |
|
1968
|
Katharine Hepburn,
Devine qui vient dîner (Guess Who's Coming To Dinner) |
|
1969
|
Katharine Hepburn, Un lion en hiver (The Lion in Winter)
Barbra Streisand, Funny Girl |
|
1970
|
Maggie Smith,
les Belles Années de Miss Brodie (The Prime of Miss Jean Brodie) |
|
1971
|
Glenda Jackson, Love (Women in Love) |
|
1972
|
Jane Fonda, Klute |
|
1973
|
Liza Minnelli, Cabaret |
|
1974
|
Glenda Jackson,
Une maîtresse dans les bras, une femme sur le dos (Touch of Class) |
|
1975
|
Ellen Burstyn, Alice n’est plus ici (Alice Doesn’t Live Here Anymore) |
|
1976
|
Louise Fletcher,
Vol au-dessus d’un nid de coucou (One Flew Over the Cuckoo’s Nest) |
|
1977
|
Faye Dunaway, Network |
|
1978
|
Diane Keaton, Annie Hall |
|
1979
|
Jane Fonda, le Retour (Coming Home) |
|
1980
|
Sally Field, Norma Rae |
|
1981
|
Sissy Spacek, Nashville Lady (Coal Miner’s Daughter) |
|
1982
|
Katharine Hepburn, la Maison du lac (On Golden Pond) |
|
1983
|
Meryl Streep, le Choix de Sophie (Sophie’s Choice) |
|
1984
|
Shirley MacLaine, Tendres Passions (Terms of Endearment) |
|
1985
|
Sally Field, les Saisons du cœur (Places in the Heart) |
|
1986
|
Geraldine Page, Mémoires du Texas (The Trip to Bountiful) |
|
1987
|
Marlee Matlin, les Enfants du silence (Children of a Lesser God) |
|
1988
|
Cher, Éclair de lune (Moonstruck) |
|
1989
|
Jodie Foster, les Accusés (The Accused) |
|
1990
|
Jessica Tandy, Miss Daisy et son chauffeur (Driving Miss Daisy) |
|
1991
|
Kathy Bates, Misery |
|
1992
|
Jodie Foster, le Silence des agneaux (The Silence of the Lambs) |
|
1993
|
Emma Thompson, Retour à Howards End |
|
1994
|
Holly Hunter, la Leçon de piano (The Piano) |
|
1995
|
Jessica Lange, Blue Sky |
|
1996
|
Susan Sarandon, la Dernière Marche (Dead Man Walking) |
|
1997
|
Frances McDormand, Fargo |
|
1998
|
Helen Hunt, Pour le pire et pour le meilleur (As Good As It Gets) |
|
1999
|
Gwyneth Paltrow, Shakespeare in Love |
|
2000
|
Hilary Swank, Boys Don’t Cry |
|
2001
|
Julia Roberts, Erin Brockovitch |
|
2002
|
Halle Berry, le Bal du monstre (Monster's Ball) |
|
2003
|
Nicole Kidman, The Hours |
|
2004
|
Charlize Theron, Monster |
|
2005
|
Hilary Swank, Million Dollar Baby |
|
2006
|
Reese Witherspoon, Walk the Line |
|
2007
|
Helen Mirren, The Queen |
|
2008
|
Marion Cotillard, la Môme (la Vie en rose) |
|
|
1928-1929
|
Emil Jannings, Quand la chair succombe (The Way of All Flesh) |
|
1929-1930
|
Warner Baxter, In Old Arizona |
|
1930-1931
|
George Arliss, Disraeli |
|
1931-1932
|
Lionel Barrymore, Âmes libres (A Free Soul) |
|
1932-1933
|
Wallace Beery, le Champion (The Champ)
Fredric March, Dr. Jekyll and Mr. Hyde |
|
1933-1934
|
Charles Laughton,
la Vie privée d’Henri VIII (The Private Life of Henry VIII) |
|
1935
|
Clark Gable, New York-Miami (It Happened One Night) |
|
1936
|
Victor McLaglen, le Mouchard (The Informer) |
|
1937
|
Paul Muni, la Vie de Louis Pasteur (The Story of Louis Pasteur) |
|
1938
|
Spencer Tracy, Capitaines courageux (Captains Courageous) |
|
1939
|
Spencer Tracy, Des hommes sont nés (Boys Town) |
|
1940
|
Robert Donat, Goodbye, Mr. Chips |
|
1941
|
James Stewart, Indiscrétions (The Philadelphia Story) |
|
1942
|
Gary Cooper, Sergent York (Sergeant York) |
|
1943
|
James Cagney, la Glorieuse Parade (Yankee Doodle Dandy) |
|
1944
|
Paul Lukas, Watch on the Rhine |
|
1945
|
Bing Crosby, la Route semée d’étoiles (Going My Way) |
|
1946
|
Ray Milland, le Poison (The Lost Weekend) |
|
1947
|
Fredric March,
les Plus Belles Années de notre vie (The Best Years of Our Lives) |
|
1948
|
Ronald Colman, Othello (A Double Life) |
|
1949
|
Laurence Olivier, Hamlet |
|
1950
|
Broderick Crawford, les Fous du roi (All the King’s Men) |
|
1951
|
José Ferrer, Cyrano de Bergerac |
|
1952
|
Humphrey Bogart, The African Queen |
|
1953
|
Gary Cooper, Le train sifflera trois fois (High Noon) |
|
1954
|
William Holden, Stalag 17 |
|
1955
|
Marlon Brando, Sur les quais (On the Waterfront) |
|
1956
|
Ernest Borgnine, Marty |
|
1957
|
Yul Brynner, le Roi et Moi (The King and I) |
|
1958
|
Alec Guinness,
le Pont de la rivière Kwaï (The Bridge on the River Kwai) |
|
1959
|
David Niven, Tables séparées (Separate Tables) |
|
1960
|
Charlton Heston, Ben-Hur |
|
1961
|
Burt Lancaster, Elmer Gantry |
|
1962
|
Maximilian Schell, Jugement à Nuremberg (Judgment at Nuremberg) |
|
1963
|
Gregory Peck, Du silence et des ombres (To Kill a Mockingbird) |
|
1964
|
Sidney Poitier, le Lys des champs (Lilies of the Field) |
|
1965
|
Rex Harrison, My Fair Lady |
|
1966
|
Lee Marvin, Cat Ballou |
|
1967
|
Paul Scofield, Un homme pour l’éternité (A Man for All Seasons) |
|
1968
|
Rod Steiger, Dans la chaleur de la nuit (In the Heat of the Night) |
|
1969
|
Cliff Robertson, Charly |
|
1970
|
John Wayne, Cent dollars pour un shérif (True Grit) |
|
1971
|
George C. Scott, Patton |
|
1972
|
Gene Hackman, The French Connection |
|
1973
|
Marlon Brando, le Parrain (The Godfather) |
|
1974
|
Jack Lemmon, Sauvez le tigre (Save the Tiger) |
|
1975
|
Art Carney, Harry and Tonto |
|
1976
|
Jack Nicholson,
Vol au-dessus d’un nid de coucou (One Flew Over the Cuckoo’s Nest) |
|
1977
|
Peter Finch, Network (posthume)
|
|
1978
|
Richard Dreyfuss, The Goodbye Girl |
|
1979
|
Jon Voight, le Retour (Coming Home) |
|
1980
|
Dustin Hoffman, Kramer contre Kramer (Kramer vs. Kramer) |
|
1981
|
Robert De Niro, Raging Bull |
|
1982
|
Henry Fonda, la Maison du lac (On Golden Pond) |
|
1983
|
Ben Kingsley, Gandhi |
|
1984
|
Robert Duvall, Tender Mercies |
|
1985
|
F. Murray Abraham, Amadeus |
|
1986
|
William Hurt, le Baiser de la femme araignée (Kiss of the Spider Woman) |
|
1987
|
Paul Newman, la Couleur de l’argent (The Color of Money) |
|
1988
|
Michael Douglas, Wall Street |
|
1989
|
Dustin Hoffman, Rain Man |
|
1990
|
Daniel Day-Lewis, My Left Foot |
|
1991
|
Jeremy Irons, le Mystère Von Bulow (Reversal of Fortune) |
|
1992
|
Anthony Hopkins, le Silence des agneaux (The Silence of the Lambs) |
|
1993
|
Al Pacino, le Temps d’un week-end (Scent of a Woman) |
|
1994
|
Tom Hanks, Philadelphia |
|
1995
|
Tom Hanks, Forrest Gump |
|
1996
|
Nicholas Cage, Leaving Las Vegas |
|
1997
|
Geoffrey Rush, Shine |
|
1998
|
Jack Nicholson, Pour le pire et pour le meilleur (As Good As It Gets) |
|
1999
|
Roberto Benigni, La vie est belle (La vita e bella) |
|
2000
|
Kevin Spacey, American Beauty |
|
2001
|
Russell Crowe, Gladiator |
|
2002
|
Denzel Washington, Jour de formation (Training Day) |
|
2003
|
Adrien Brody, le Pianiste (The Pianist) |
|
2004
|
Sean Penn, Mystic River |
|
2005
|
Jamie Foxx, Ray |
|
2006
|
Philip Seymour Hoffman, Capote (Truman Capote) |
|
2007
|
Forest Whitaker, le Dernier Roi d'Écosse (The Last King of Scotland) |
|
2008
|
Daniel Day-Lewis, There Will Be Blood |
|
|
1937
|
Gale Sondergaard, Anthony Adverse |
|
1938
|
Alice Brady, l’Incendie de Chicago (In Old Chicago) |
|
1939
|
Fay Bainter, l’Insoumise (Jezebel) |
|
1940
|
Hattie McDaniel, Autant en emporte le vent (Gone With the Wind) |
|
1941
|
Jane Darwell, les Raisins de la colère (The Grapes of Wrath) |
|
1942
|
Mary Astor, le Grand Mensonge (The Great Lie) |
|
1943
|
Teresa Wright, Madama Miniver (Madame Miniver) |
|
1944
|
Katina Paxinou, Pour qui sonne le glas (For Whom the Bell Tolls) |
|
1945
|
Ethel Barrymore, Rien qu’un cœur solitaire (None But the Lonely Heart) |
|
1946
|
Anne Revere, le Grand National (National Velvet) |
|
1947
|
Anne Baxter, le Fil du rasoir (The Razor’s Edge) |
|
1948
|
Celeste Holm, le Mur invisible (Gentleman’s Agreement) |
|
1949
|
Claire Trevor, Key Largo |
|
1950
|
Mercedes McCambridge, les Fous du roi (All the King’s Men) |
|
1951
|
Josephine Hull, Harvey |
|
1952
|
Kim Hunter, Un tramway nommé Désir (A Streetcar Named Desire) |
|
1953
|
Gloria Grahame, les Ensorcelés (The Bad and the Beautiful) |
|
1954
|
Donna Reed, Tant qu’il y aura des hommes (From Here to Eternity) |
|
1955
|
Eva Marie Saint, Sur les quais (On the Waterfront) |
|
1956
|
Jo Van Fleet, À l’est d’Éden (East of Eden) |
|
1957
|
Dorothy Malone, Écrit sur du vent (Written on the Wind) |
|
1958
|
Miyoshi Umeki, Sayonara |
|
1959
|
Wendy Hiller, Tables séparées (Separate Tables) |
|
1960
|
Shelley Winters, le Journal d’Anne Frank (The Diary of Anne Frank) |
|
1961
|
Shirley Jones, Elmer Gantry |
|
1962
|
Rita Moreno, West Side Story |
|
1963
|
Patty Duke, Miracle en Alabama (The Miracle Worker) |
|
1964
|
Margaret Rutherford, Hôtel international (The V.I.P.s) |
|
1965
|
Lila Kedrova, Zorba le Grec (Zorba the Greek) |
|
1966
|
Shelley Winters, Un coin de ciel bleu (A Patch of Blue) |
|
1967
|
Sandy Dennis,
Qui a peur de Virginia Woolf ? (Who’s Afraid of Virginia Woolf ?) |
|
1968
|
Estelle Parsons, Bonnie and Clyde |
|
1969
|
Ruth Gordon, Rosemary’s Baby |
|
1970
|
Goldie Hawn, Fleur de cactus (Cactus Flower) |
|
1971
|
Helen Hayes, Airport |
|
1972
|
Cloris Leachman, la Dernière Séance (The Last Picture Show) |
|
1973
|
Eileen Heckart, Butterflies Are Free |
|
1974
|
Tatum O'Neal, la Barbe à papa (Paper Moon) |
|
1975
|
Ingrid Bergman,
Meurtre sur l'Orient-Express (Murder on the Orient Expres | |
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